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AVAILABLE LIVE ALBUMS

kristen leigh live at dmp album cover


randy furches live at dmp album cover


morgan mcpherson live at dmp album cover


filthybird live at dmp album cover


albina savoy live at dmp album cover


universal mathematics live at dmp album cover


mr. rozzi live at dmp album cover


bruce piephoff live at dmp album cover


The Tremors live at the dotmatrix project


Queen Anne's Revenge live at the dotmatrix project


The Leeves live at the dotmatrix project


Hammer No More The Fingers live at the dotmatrix project


The Bronzed Chorus live at the dotmatrix project


Laurelyn Dossett live at the dotmatrix project


janik live at the dotmatrix project


the tiny meteors live at the dotmatrix project


project tritium live at the dotmatrix project


The Raving Knaves Live at the dotmatrix project


tom beardslee live at the dotmatrix project


possum jenkins live at the dotmatrix project


dawn chorus live at the dotmatrix project


citified live at the dotmatrix project


old stone revue live at the dotmatrix project


The Radials Live at the dotmatrix project


Sorry About Dresden Live at the dotmatrix project

Posts Tagged: Molly McGinn RSS

Pass The Wrench: Amelia’s Mechanics Takes Flight

amelias mechanics, north south release party

Music doesn’t just happen; music evolves into existance. From tangible chords to sweet harmonies to lyrics that appear from life’s ups and downs, music become real through patience, guidance, sacrifice and plain old hard work.

Blood, sweat & tears, if you will.

These talented women found each other, discovered their gait and with the assistance of Jim Avett, produced one hell of an album in their own time, as they envisioned it to be experienced. Won’t you support the miracle of that happening?

Tomorrow night, the North, South CD release party is happening at The Blind Tiger.

Enjoy every minute of it.

And Now You Know: Michael McQueen

Mike McQueen

Michael McQueen is the music video director for next week’s DMP show, featuring Kristen Leigh, Morgan McPherson and Randy Furches.

Over the past year, we’ve crossed paths on Facebook and at local film screenings, so I was excited when he showed interest in contributing to our project, but I still didn’t know much about his story.

That changes today.

DMP: So, Michael, what got you started with shooting? Was it a life long passion or a particular director that got you hooked?
MM: I got into doing video through riding BMX bikes. Basically, I started filming my friends riding and doing tricks. Eventually, I started filming professional riders and got gigs working in the BMX industry as a videographer.

DMP: Is BMX now your primary focus?
MM: I’ve done work for a lot of the independent BMX companies, but also larger companies like Red Bull, Target, Levis and Fuel TV. All of that led me to doing commercial video production, which led to my current job as video producer for the News & Record. I still do a little bit of freelance work in the BMX industry, mostly with Eastern Bikes doing web videos. I’m currently in production of a full length video of their team, due out in September.

DMP: Sounds like a handful. How do you manage it all by yourself?
MM: I don’t. For my freelance commercial production, I work with Matthew B. Moore. Together, we own and operate King Coyote Productions.

DMP: You’re participating in the 48 Hour Film Festival this weekend, as you have in the past with your work on Good Morning Mr. Brown. What gets you juiced about the festival? Is it the time based production challenge? The intense competition within the local film community?
MM: The 48hrff is always a fun time. In the past I’ve always worked with the Good As A Mugg team. The director, Matt Moore, and I have been friends and business partners for a long time. We work well together and have an awesome crew. But this year the stars didn’t align and the team couldn’t play as a whole. So you’ll see us scattered amongst different teams, kicking ass as usual! I’ll be on Ike Quigley’s team: 10lb Hammer. It is crazy that Greensboro has such a large independent film community. To have ~30 teams enter a contest and compete on that level is amazing. And each year the films just get better and better.

DMP: Do you have the itch to direct a feature film? It seems like that’s the dream of every filmmaker we’ve come across on the project.
MM: My involvement in film has always been just one of the players. So movie wise, no, not directing. That’s not my thing. If i’m doing anything on a film it’s going to be sound. That’s my passion as far as film making goes. Now maybe a documentary… I just haven’t found a good one to go long form on. Maybe one day.

DMP: With everything going on in your life right now — the full-time gig, your marriage, your freelance work, the 48 FF, I’m sure I’m missing something else — what drew you to collaborate on a DMP shoot? Are you that much of a music fan?
MM: While filming BMX, I was going to a lot of hardcore shows in the Winston area. So naturally, I’d take my camera with me and film bands. That led to me working with Blake Faucette on his Series DVD video magazine. I have a strong passion for music and I suck at playing an instrument, so I use my camera as my way to connect. I’m always looking for a way to stay close to the music scene and DMP is an amazing way to keep doing that.

DMP: Thanks for your time, Michael. Catch you next week at the show.
MM: You got it.

Another local talent ready to document local talent.

Grinding Toward The Morning

sous les paves
Photo by sous les paves

I’ve been surrounded by creative people all my life, but not in the way I am here in Greensboro, NC. The passionate vibe to create and the hustle people have to support themselves is unlike anything I’ve experienced before.

I mean, both of my parents were art teachers, which provided them a consistent income, but they spent a vast majority of their creative energy fostering the creative development of others. They both had the skills to pursue doing art for a living (I’ve seen their work), but at some point early on they made pragmatic, career-based decisions to teach and raise a family instead.

They chose one life over another.

Over the years that I lived in NYC leading up to my move here, I befriended numerous people who were musicians, composers or artists after hours with a consistently advancing career in the commercial art world by day. Sure, there was always a struggle for time, but the job could be replaced in the blink of an eye with a linear move elsewhere in town. Making it as an artist, first and foremost, was a goal, but it was without a true sense of immediacy.

In These Parts

The people I’ve come to know here live their craft, bent on doing whatever it takes to keep doing what they do — whether they’re single or married with kids, creating is not an option, it’s a necessity… like breathing.

Take Harvey Robinson at Monkeywhale, or his PiC Carolyn de Berry. Not only do they create beautiful short films and photographs, but they prolifically pimp the best work that our creative community has to offer, 24/7. All of this with an eye on financing a feature film. Somehow, they make a living doing commercial work in the short time between.

Matty Sheets is a Monkeywhale contributor, member of two bands — Eating The Invaders and Come Hell Or High Water — and the MC of The Flatiron’s Tuesday night open mic. Last I heard, Matty was slinging coffee at The Green Bean, but I wouldn’t be surprised if he was hustling elsewhere to grab a buck to make ends meet.

My brother, Andy Coon, is creating, producing and shooting a web series, The Corporate Assassin, while taking on numerous freelance gigs to contribute to his mortgage payments. He’s married, wants kids and needs health insurance.

Molly McGinn works part-time at an agency, runs three blogs and assists at her friend’s palates studio so she can make both rent and music with her girls in Amelia’s Mechanics.

Dan Bayer shoots local HS sporting events and runs sound at shows around town (including ours at DMP) while trying to get a sound studio off the ground.

I could go on for a long while like this.

This is Greensboro — a town chock full of talented artists, musicians, filmmakers… but also defined by an aggregate population seemingly more interested in what’s on television & clubbing downtown than supporting the arts.

Check that. Not the arts, their arts.

See, that’s what community is about — recognizing common interests and supporting each other in our pursuits. At least it is to me.

So you say we’re not Austin, or even Chapel Hill. Go where the interest and action is, right?

You tell that to one of my friends. You tell them that if they want to make a living at their craft, they should uproot to find a “market” willing and able to support them.

These people aren’t suits, willing to constantly start over, moving from one town to another to make a better buck. They’ve invested time, energy and love to help shape this community and honestly love what they do while valuing their place here.

So they do what they have to do to get by.

Josephus Thompson III wrote an article, steeped in personal experience, about this very subject in GoTriad last week. He ended it as such:

[...] The Bible says, “Faith without works is dead,” so we work and keep the faith; we pray and we stay on the straight and narrow, traveling the unbeaten path believing we can make it and cascading through all the gray areas of the unknown, postponing or as Langston might say, deferring our dreams. So, we must not defer, we must not linger in our fantasies, but pursue our desires and our dreams. And at the end of the day we do, doing whatever it takes to get us through to the next stage of our lives — hopes, dreams and ambitions in tow. For we understand and know that we must do what we have to do in order to do what we want to do.

Sometimes, that notion becomes lost in the darkness of pursuit and struggle. I’ve experienced it myself. So to both the friends I’ve come to know over time and the creative souls I’ve yet to meet, I’ll let Josephus III take us out…

In The Morning

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We’ll get there.

While The Flashes Snapped And The Girls Clamored For More, It Really Was Just A Family Affair

This past Thursday night’s show touched people in many ways.

As I walked through the crowd and helped break down the PA, I overheard positivity left and right, so for a sample taste, I plucked this quote from the Avett Brother’s message board to share with you:

Oh my goodness. What a great night last night. There are moments in life where I remember what it’s all about. Last night was without question one of those moments. The energy in that room last night was so positive. Sporadic sing-a-longs and gospel tunes in a bar…”because those are the folks that really need the help”. Smiles, smiles, and smiles. [...]

It was a special evening.


photo by Carolyn de Berry

First off, to experience the local, all-star ensemble Bruce Piephoff pulled together for the show — brothers Scott (cello) and Landon Walker (stand up bass), Scott’s daughter Jennie Walker Brunner on violin (all of the Walker Family Band), Renee Mendoza (lead singer of Filthybird, our April headliner) on vocals and David “Driveway” Moore on the harmonica — sent shivers down my spine.

Players came and left the stage as Bruce led us through a set steeped in stories about local lore, times gone by and political unrest. I remember thinking to myself, “This is our Neil Young” (as much as I have a right to say “our” since I’ve only been a resident of the Triad for three of Bruce’s 40 years as a musician in these parts) and he very well just may be.

More photos from his set:


photo by Carolyn de Berry

landon walker
photo by Mark Smith


photo by Carolyn de Berry

I hadn’t met Jim Avett prior to the evening — Molly McGinn produced this particular show as they’ve been friends for a while now — but meeting him behind the bar in The Lounge went something like I had expected; the man was nothing but grace and country charm mixed with a pinch of smart alec.

If I could give you a taste of his charisma in a blog post, I’d try, but that would be like me describing the taste of Guinness to a 12 year-old — it’s impossible.

Jim started off his set with guitarist Ray Morton at his side and quickly introduced his special guests for the evening — his sons Scott and Seth Avett from The Avett Brothers. And while the ladies in the front row started to go gaga and the cameras in the audience began to flash simultaneously, somehow there was a collective control in the room that dictated this wasn’t an evening for screaming and passing out.

Thursday night was all about family and Scott and Seth promoted the vibe by supporting, enjoying and backing up their Pops as they lounged in the corner of the room for the entire show and served as backup singers on a couple of tunes — one to kick off the evening and one to close out the night.


photo by Carolyn de Berry


photo by Carolyn de Berry


photo by Mark Smith

While the star power factor of the night was pretty amazing — the bar packed up more and more due to text messages gone amuck — I have to say for me and potentially a handful of other people in the know, the most special moment of the evening came when Jim reunited with Scott Manring to play their original song Signs, a bonus track on The Avett Brothers album Mignonette.


photo by Mark Smith

Those two musical veterans originally recorded the track in 1974 and the tape was lost until five years ago when Jim Avett discovered it at his home. To have Jim and Scott Manring — a local legend and guitar genius — play it for the first time in 35 years… well, it was an honor to be there to say the least.

Friends. Family. Music. I’m loving what this project has become. Thank you to everyone who makes it possible, both as participants — particularly the Monkeywhale crew this month — and the music lovers who come out to our shows.

Look for the live album to be ready in the next few months or so.

Harvey’s Kitchen: Molly McGinn & The Buster Dillys

All class. All local.

Save the monkeywhale.