Here’s a taste of what they both sounded and look like last week, first Israel Darling:

Samson The Mason *
[Click through to the post to listen to audio]

Photo by Stephen Charles

Photo by Stephen Charles

Photo by Stephen Charles

Now, The Brand New Life:

Time Warp *
[Click through to the post to listen to audio]

Photo by Stephen Charles

Photo by Stephen Charles

Photo by Stephen Charles

* These tracks were not live recordings from the DMP show. We should have live albums of these sets ready for release within a couple of months. Check back for music videos and more photography as well.

The Graveyard Fields

The Alcazar Hotel

Thanks for the memories.

Local legend Bruce Piephoff pulled together an all-star ensemble for his DMP performance last February (sweet Jesus, it’s been that long?). With Renee Mendoza (Filthybird) on vocals, Scott Walker, Landon Walker & Jennie Walker Brunner on bass, cello and violin (Walker Family Band) and David “Driveway” Moore on harmonica (ETI & The Goodbye House), Bruce led the audience through a memorable set of narratives steeped in southern tales — stories of inequality and of politics and with bits of love splashed here and there.

Please enjoy this beautifully shot slice of that down home pie.

And remember, Bruce’s live album is currently available on Amie Street for only $1.82.

MUSIC VIDEO CREDITS

Director: Harvey K. Robinson
Editor: Zach Hadgraft
Camera: Mark Wagoner, Alex Maness, Blake Faucette
Gaffer: Jonathan Faw
Grips: Matty Sheets, Barry Staples
Sound: Danny Bayer, Don Ravon and Cesar Oviedo

What else can be said about Mr. Rozzi? As a long-time staple on the Greensboro hip hop scene, Rozzi constantly brings the energy, no matter the show or the circumstances. On this fine evening last March, he rolled into The Green Burro with a posse full of performers, including the lovely and talented Vanessa Ferguson, the R&B dynamo Jeremy Johnson and L in Japanese on the 1’s and 2’s.

Killer.

And give Ioannis Batsios some dap for the creative rendering of the video. Way above and beyond…

MUSIC VIDEO CREDITS
Editor: Ioannis Batsios
Camera: Ioannis Batsios, Matt Williams, David Bradley
Sound: Danny Bayer, Don Ravon

When I heard Kristen’s sound for the very first time — as the background music to her own interview in Harvey’s Kitchen — I couldn’t get it out of my head for weeks. In a very, very good way.

After watching this video, I’ll bet the same will be true for you.

MUSIC VIDEO CREDITS
Editor: Michael McQueen
Camera: Michael McQueen
Camera: Jeremy Hyler
Camera: Mark Steinberg
Sound: Danny Bayer and Don Ravon

You can check out Kristen’s entire DMP set on Last.fm or support a local musician by picking up the album over at Amie Street.

Fans of these bands know that they have only two things in common — they’re big in numbers (Israel Darling flexes from Jacob Darden performing solo to a full seven piece act) and they rock.

And that’s enough for me.

Israel Darling’s Appalachian style with Darden’s ponderings on religion and daily life in his songwriting may contrast heavily with The Brand New Life’s dedication to bringing the funk and groove to the party with their big band brass and rhythm section, but hey, that’s what makes the show unique.

DMP will have Don Ravon recording the event, Stephen Charles and Kyle Rhines shooting stills and a film crew headed up by Michael “Mangler” McQueen.

If you’d like to help promote the show, grab the above poster for your Facebook profile picture. If you’re a huge fan (and saint), feel free to grab the large version to print for posting in your dorm, neighborhood, back shed, etc.

Gracias.

When our music director, Don Ravon, booked Randy Furches to participate in our singer/songwriter night last June, I knew very little about his sound. The most I could find about him online was an interesting article the New York Times ran, delving into the subject matter of his song, Poor Ellen Smith — a tune about a distant relative of over a hundred years gone by, Peter DeGraff, who happened to be the last man (legally) hanged in North Carolina.

As it turns out, Randy’s sound is much more of a cross between pop artist and crooner than alternative acoustic. IMO, his vocal delivery is reminiscent of Tom Jones engaged in a footrace with Richard Cheese, and hell, I like Richard Cheese! Collaborations like the one above with local MC King-Kev-O exemplifies Randy’s inclination to toss the genre box aside when making his music.

Aside from all the marketing mumbo jumbo that drives the music “industry” these days, isn’t that what it’s all about?

MUSIC VIDEO CREDITS
Editor: Michael McQueen
Camera: Michael McQueen
Camera: Jeremy Hyler
Camera: Mark Steinberg
Sound: Danny Bayer and Don Ravon

You can check out Randy’s entire live set on Last.fm or support a local musician by picking up the album over at Amie Street.

Like most open jams, Monday has its regulars: the wiry art-funk of Carla R; the Trower/Vaughn/Hendrix blues worship of Stickers for Cigarettes; the spacey reggae/hip hop of Xuluprophet; and the duo that plays each week under a different name, but always includes an original titled either “I’m the Batman” or “No More Dead Cops,” but either way it ought to be the theme song for the next installment in the Caped Crusader silver screen franchise. Any and all experimentalism is spelled with a little “E”; it’s what punk must have been like before it started taking itself too seriously. There’s also the house band, and of course my sub-Ed Sullivan MC’ing.

Photo by Dan Bayer

Sometimes I think open mics are the purest form of public musical expression; rough-hewn garage bands bump shoulders with semi-professional part-time pickers, original visions too far out to fully elucidate bang heads with questionable-or-not covers of classic rock chestnuts. Too varied to coalesce into a self-policing “scene,” not polished enough to charge admission to, sometimes teetering on the brink of musical chaos, it’s an opportunity for musicians and audiences alike to take chances on new approaches and new talent.

There are other open mics in town too: Matty Sheets hosts one at the Flatiron, and there are open blues jams at Plum Krazy’s, the Clubhouse and Club Zion. The blues jams, as the name implies, are pretty much rooted in that genre, but still fun nonetheless, and a good chance to work on your chops while meeting other local musicians.

So don’t let your lack of a band, or a missing member, or fear of public performance keep you from going out and being part of Greensboro’s music scene. Open mics are a chance to experiment and hone your craft, or just to play music in public without the stress of having to hunt down regular gigs. Most importantly, it’s fun!

Sometimes, when the band you’ve booked begins to play you instantly know the evening is going to be special. Other times, it happens when you get yelled at by everyone involved.

The Filthybird show, by all accounts, was special.

I had to run back to HQ as the sound check got underway and made it back to the show just prior to Renee starting up. As I heard her last warmup on the keys and vocals, I jumped out of my seat in the packed house and yelled over to Don to turn down the reverb.

NO!!! came from every direction on stage.

Trust your crew was the lesson I learned that night.

MUSIC VIDEO CREDITS
Editor: Blake Faucette
Camera: Andy Coon, Blake Faucette, Sean Coon
Sound: Don Ravon

The live album is available at Amie Street, with all proceeds going to the Filthybird crew.

Photo by Elizabeth Lemon

The Goodbye House is a great band, combining elements of all the members’ previous musical directions, but coming together in a real organic way, kinda like one of Elvis Presley’s mashed banana and peanut butter sandwiches.

Here’s a taste:

[Click through to the post to listen to audio]

And of course the Leeves’ brand of jazz/punk can’t be underestimated either. It was simply a rockin’ night all the way around.

The reason I’m thanking everybody is because, as a local musician, I’ve come to realize that community will get you through times with no money better than money will get you through times of no community. As part of the dotmatrix project, I’ve watched a community grow around local original music, seen more people coming out to shows — despite (or maybe because of) the bad economy — and I’ve watched musicians collaborate on some really great music.

Photo by Paula McLean

Usually I’ve seen this from behind the soundboard, but in the last few months I’ve seen it from the stage, playing with the Knaves, alongside bands such as Switchblade 85, Come Hell or High Water, the Brand New Life and so many others.

In the midst of uncertain times, to be able to get up and play your music in front of and alongside appreciative people is truly a wonderful thing.