Imagine this:

Everything in the world can be broken down into three nouns. Negativity, positivity, and neutrality.

Now imagine looking up and seeing an atomic bomb being dropped straight onto your brain. Now imagine that, while most atomic bombs are composed of negativity, this one is of a very unique composition. Imagine that this bomb is composed of pure positivity.

Now imagine that this bomb is actually the imprint left on you by one, Clement Mallory, aka Universal Mathematics.

Photo by Kevin Belton

An infinite number of varying descriptions could be used to characterize a performance by this man. Perhaps one in several thousand would even begin to come close to completely accurate.

MUSIC VIDEO CREDITS
Editor: Ioannis Batsios
Camera: Ioannis Batsios, Matt Williams, David Bradley
Sound: Danny Bayer, Don Ravon

Universal Mathematics is more than music, more than poetry, and more than performance. It is a full-blown inspirational experience. When Clement Mallory picks up the microphone, you are intrigued. When he performs, you are entranced. When he puts down the microphone, you are left feeling better about yourself and about life in general. While Mallory seems to identify more as a poet than a musician, and while a good half of his DMP set is spoken word, his performance is less poetry reading and more interactive motivational theater. He makes smiling your only option.

Photo by Kevin Belton

The message throughout this distinct and almost unclassifiable performance is one of love and appreciation. Backed by the immaculate DJ skills of L in Japanese, Clement Mallory seems almost unaware of his audience much of the time. It is almost as if the words flowing from his mouth come forth from a deep well of honesty and compassion. His words seem inspired from his personal experiences, yet, the selflessness of his delivery leaves one with the impression that, more than self-expression, this performance is designed to help us, to make us feel better about who we are. A good example of this can be found in the track, My Love, wherein he states:

Loving you increases my love for me, so I’m going to love you more ’cause I have to love myself.

He seems to do what he does strictly out of a genuine desire to make us all feel happier and more comfortable about who we are.

Photo by Kevin Belton

During the tenure of the performance, Mallory deals with issues ranging from creation, self-reflection, acceptance of our fellow human beings, the importance of teaching ourselves and our children, and the very nature of existence.

In the track, Who am I?, he asks:

Being human, am I characterized differently from any other human being? Do we not all have one head, two eyes, two ears, one nose, one mouth, one neck, two shoulders, two arms, two hands, one chest, one stomach, one gender, defined with private section, two legs and feet?

The answer to the title of this piece comes near the end of the track, right before a moment of too-perfect-to-have-been-planned feedback where he boldly states:

I am God.

It’s a concept piece full of imagery so heavy that it seems to overwhelm even the PA. This track is definitely a highlight of the set.

Photo by Ioannis Batsios

Placing Universal Mathematics into a musical category is a nearly impossible task.

Clement Mallory is a writer, an MC, a teacher, an outlandish angel. His performance is poetry, it’s hip-hop, it’s motivational speech, it’s emotional release, it’s nearly theatrical in it’s execution. His message is uplifting, it’s inspiring, it’s fun, it’s… dare I say… universal. This man puts on a performance that is more than a performance. It is an intricate spiderweb of imagery and sound that leaves one with a feeling of happiness and well-being.

For the love of love, check out Universal Mathematics at c37words.

Recording Engineer: Don Ravon
Mixing Engineers: Dan Bayer, Don Ravon
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

You can also listen to the live album on last.fm.

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April 2009 marked the thirteenth show in the series and the one year anniversary of the dotmatrix project.  This show was truly special.  We had two exceptional performances that evening.  Each expressing it’s own unique sound.  Each featuring an incredibly talented female vocalist/pianist.

Filthybird

Photo by Mark Smith

Renee Mendoza (with vocals and on keyboard) and Brian Haran (on electric guitar) got married a while back and their band took a little hiatus.  We were very proud to have gotten the chance to welcome them back to the stage in Greensboro, NC.  Shawn Smith (on drums) and Mike Duehring (on bass) fill out out the other half of Filthybird.

Filthybird has been described as “loud, yet subtle and distinctly joyful rock.”  They are, for all intents and purposes, a Psychedelic Folk Rock band.  Their music is simultaneously mental and emotional.  Their performance, I think, can best be described as “unfettered and electrifying.”

Photo by Mark Smith

Right now, you can check out their DMP set on AmieStreet.  Be on the lookout for more great music from these guys.  Get Filthybird!

Photo by Kevin Belton

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineer: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

Albina Savoy

Photo by Mark Smith

Albina Savoy is a three-piece collaboration with Crystal Bright (primarily on keys), Barry Cantrell (on guitar), and Jon McLean (on double bass).  The group also utilizes accordion, cello and the saw to create sweetly layered compositions.  They opened the April DMP show with their sweet, soothing and dramatic style.

As Nash Roberts eloquently describes, much of their set included songs demonstrating “not only attention to melody, but striking lyricism.”  A perfect example is Emeline, a song featuring Barry Cantrell on lead vocals.  It whispers at the soul of the philosopher left to reflect on love and loss and the human experience.

Photos by Mark Smith

Unfortunately, their performance that evening was one of the last opportunities to hear Albina Savoy live. The three-piece is no longer performing together.  However, as is the case with most musicians I know, that doesn’t mean Barry, Jon or Crystal won’t be making a splash elsewhere on the music scene.  Be on the lookout for future projects.  For now, you can enjoy some of their work together by checking out their live album on AmieStreet or Last.Fm.

Photo by Kevin Belton

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineer: Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

Photograph by Kevin Belton

Blackbeard the Voyager, a truly hip poet, has been throwing it down for NC Hip Hop for a hot minute.  He’s got a presence and a style that’s difficult to duplicate.  His performance is always full of energy and always something special.

Photograph by Kevin Belton

For his DMP performance, Mr. Rozzi brought along an entourage.  They weren’t just there to pump up the crowd.  One person or another shared the stage with Rozzi for at least half of his set.

Photography by Kevin Belton

Vanessa Ferguson belted out background vocals before and after taking center stage to treat the audience to an a capella interlude.

Photo by Ioannis Batsios

Jeremy Johnson also offered up backing vocals as well as belting out one of his R&B jams during the set.

I know what you’re wondering.  With all these performers, who was the DJ for this whole  affair?  We had none other than L in Japanese holding it down all night long.

Photo by Ioannis Batsios

You like Hip Hop, right?  Well then, in the words of Jeremy Johnson, “Get the album.  Get the album.  Get the album!”  To pick up – or rather download – the album, you can check out Amiestreet and Last.fm.  For the newbies, here’s our promo entrance page to sign up for an account with Amiestreet and receive free money to support our local artists.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

Looks like Cesar is happy too.

Here’s the press release:

Greensboro, N.C. – Local music media group, the dotmatrix project, is teaming up with Studio 4. This relationship will combine the recording and mixing expertise of DMP engineers, Dan Bayer & Don Ravon, with the mixing and mastering expertise of Studio 4, all at an exclusive discount to the featured musicians.

The DMP is a collective of musicians, photographers, videographers and sound engineers who put on and document live shows. Each month they rotate in original acts from Greensboro and surrounding counties in North Carolina. To date, the media team numbers more than 40 all-volunteer participants.

“The partnership falls into our plan of establishing relationships with local businesses that share our vision of building community around local, original musicians,” says Sean Coon, the executive producer for the dotmatrix project. “Until this partnership, the best live album we could produce was a high-quality, multi-track mix. The staff at Studio 4 brings 20 years of mastering expertise to the table with chief engineer Cesar Oviedo and, along with our engineers, a deeper, more fine-tuned final mix. We want our participating artists to be able to use their live album to book gigs or sell at shows, so the pressure is always on us to replicate the sound and vibe of a live show the best we can.”

Owner of Studio 4 Prez is excited about this effort, as it will increase the amount of local musician recording at his studio. “Our studio looks to be a thriving source of recording, mixing, and mastering for local and non local musicians alike,” Prez says. Studio 4 is a professional music recording and film production studio based out of Greensboro.

For inquires about the dotmatrix project, contact Sean Coon: sean@dotmatrixproject.com
For Studio 4 inquiries, contact Prez: prez.psyoptic@gmail.com

There are two specific elements of this partnership that I want to explicitly highlight for past and future bands:

1. Quality
   We were proud of our recordings prior to this arrangement, but quite honestly, the potential quality of our live albums has now been drastically improved. Don’t just take my word for it, listen to the difference yourself in these two versions of Bruce Piephoff’s track, Notes From Knoxville (live @ DMP):
    

   The original DMP mix:
   [Click through to the post to listen to audio]

   Mix collaboration with Studio 4 w/ album mastering:
   [Click through to the post to listen to audio]

   The differences in vocal levels, the new found twang in the guitar, the violin’s sweeping song, the umph of the upright bass — it really is an amazing improvement.

2. Cost
   Prez is a big supporter of local independent artists, so he was willing to provide these services at a ridiculously low, bargain basement price that allows each and every DMP musician to participate, from the veteran players to the garage rockers. As long as the artists are serious about the project and invest studio time to get the mix/master done right the first time through, the cost stays nominal. Guaranteed.

   It really is a sweet deal.

If you have a partnership idea that could serve you/your company well while positively adding to our project, definitely hit me up.

Photo by Elizabeth Lemon

For the tenth installment of the dotmatrix project, we were fortunate enough to capture a sampling of the Hell-raising hits they make together. That was back at the end of January. Even though it was a bit cold outside, it was nice and hot next to the DMP stage that night!

Photo by Alex Maness

In case you don’t believe me (or somehow don’t remember), you can check out the pictures from that evening on the DMP photostream. Or you can check out the video on vimeo . Oh yeah, and you can listen to the live album on Amie Street.  To make the whole process a whole lot easier for you on Amie Street, here’s our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.  (It should be on Last.fm before long. You can check back here for the link when that happens.)

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon

The wait is over, folks. DMP is proud to release the highly anticipated album The Bronzed Chorus Live at the dotmatrix project.

We thank Elizabeth Lemon for capturing the moment you see on the album cover. You can find more great pics from that evening on Flickr.

The Amie Street album is currently available for only $0.90 (now that’s a steal)! Hurry and grab this little treasure. That price can’t possibly last for too long. If you’re new to the whole process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon

It’s been an exciting couple of months for the dotmatrix project. We’ve had two fantastic shows, and one long-awaited album release. The excitement continues as DMP is proud to release Hammer No More The Fingers Live at the dotmatrix project.

We thank Jessi Hagood for the great photo. We felt it was perfect for the album cover. You can find more great pics from that evening on Flickr.

The Amie Street album is currently available for only $0.99 (less than a dime per song)! This price can’t possibly last for long. You know you want it! If you’re new to the whole process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Jessi Hagood

Local music doesn’t get much better than what Laurelyn Dossett has to offer. Tales of love, tragedy, triumph — Laurelyn’s storytelling and angelic voice grabs a hold of your soul and refuses to let go. DMP is proud to release Laurelyn Dossett Live at the dotmatrix project.

The beautiful cover shot was captured by the immensely talented John Leonard.

The Amie Street album is currently available for $1.98, but will undoubtedly be jumping in price soon, as it’s already gotten a few Recs. If you’re new to that process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

You can listen to the entire show, chock full of bonus prelude cuts over at Last.fm for free.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon, Dan Bayer
Cover Design: Sean Coon
Cover Photograph: John Leonard

Are you ready to rock? I can’t hear you. I said are you ready to ROCK!? Good. We’re ready to deliver. DMP is proud to release The Tiny Meteors Live at the dotmatrix project.

Kemp Stroble’s screaming mug was captured by the talented John Leonard.

The Amie Street album is available for $1.12, but could be jumping in price soon. If you’re new to that process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

And if you’d like to check out the album for free, head on over to Last.fm.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon, Dan Bayer
Cover Design: Sean Coon
Cover Photograph: John Leonard

The wait is over, folks. DMP is proud to release Janik Live at the dotmatrix project.

You like that album cover? That beautiful face was captured by the talented Elizabeth Lemon.

The Amie Street album is available for $1.04, but will be soon jumping in price. It’s already gotten one Rec. If you’re new to that process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon, Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon