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AVAILABLE LIVE ALBUMS

kristen leigh live at dmp album cover


randy furches live at dmp album cover


morgan mcpherson live at dmp album cover


filthybird live at dmp album cover


albina savoy live at dmp album cover


universal mathematics live at dmp album cover


mr. rozzi live at dmp album cover


bruce piephoff live at dmp album cover


The Tremors live at the dotmatrix project


Queen Anne's Revenge live at the dotmatrix project


The Leeves live at the dotmatrix project


Hammer No More The Fingers live at the dotmatrix project


The Bronzed Chorus live at the dotmatrix project


Laurelyn Dossett live at the dotmatrix project


janik live at the dotmatrix project


the tiny meteors live at the dotmatrix project


project tritium live at the dotmatrix project


The Raving Knaves Live at the dotmatrix project


tom beardslee live at the dotmatrix project


possum jenkins live at the dotmatrix project


dawn chorus live at the dotmatrix project


citified live at the dotmatrix project


old stone revue live at the dotmatrix project


The Radials Live at the dotmatrix project


Sorry About Dresden Live at the dotmatrix project

Extraordinary North Carolinians

Early morning, February 1, 2010, as I stood in-between the driving lanes of Elm Street alongside hundreds of others anticipating the opening of the International Civil Rights Center & Museum, I felt awestruck.

International Civil Rights Museum
photo credit: Dan Routh Photography

It may have been the combination of moving words from Doctor Franklin McCain, Senator Kay Hagen and a host of other speakers.  Or it may have been an emotional release brought on by the lack of sleep I endured to be downtown at eight o’clock in the morning (not my usual modus operandi).  The simple truth of the matter, though, is that an integral part of History — not just Black History, or American History, but Human History — had unfolded less than a block from where we all stood.

Exactly fifty years had passed since that day, and about two decades had passed since the Center & Museum was originally commissioned.  I remember, even as an adolescent, being concerned about the future of the historic site.  It really is something in which every resident of Greensboro (especially those native to the city like myself) can find pride…and it honestly brought a few tears to my eyes.

So, on February 1, 1960, four seemingly ordinary Greensboro residents were inspired to do the extraordinary.  In recent weeks, I’ve wondered how many other “ordinary” North Carolinians have proven themselves capable of extraordinary feats.  I began searching for icons in the world of music whose origins can be found in the Tarheel State.

I ended up finding a long, long list of musicians all born here in North Carolina.  An abridged list (very abridged) is as follows:

John Coltrane (b. Hamlet, NC, 9/23/26–7/17/67)
John Coltrane
photo by vanveen1967

Thelonius Monk (b. Rocky Mount, NC, 10/10/17–2/17/82
Thelonius Monk
photo by Ben Pearce

Maceo Parker (b. Kinston, NC, 2/14/43
Maceo Parker
photo by dimervansanten

Nina Simone (b. Tryon, NC, 2/21/33–4/21/03)

Shirley Caesar (b. Durham, NC, 10/13/38
Shirley Caesar
photo by Brendan Hoffman

George Clinton (b. Kannapolis, NC, 10/22/41)
George Clinton
photo by Pix Gremlin

Roberta Flack (b. Black Mountain, NC, 2/10/37)
Roberta Flack
photo by Sweeping Zen

Ben E. King (b. Henderson, NC, 9/28/38)
Ben E. King
photo by Live at J&R

Max Roach (b. Township of Newland (Pasquotank County), NC, 1/10/24–8/16/07)
Max Roach
photo by lieberkater

The list grew to be far more extensive than I had imagined.  In the world of Jazz alone, there were a great number of influential figures born, raised, or educated in North Carolina.  I can only imagine what names and faces I might be able to add to this list — whether it’s five, ten or twenty years from now, or maybe even five, ten or twenty months from now!

(Information gathered from the following sites: North Carolina Jazz Musicians, Wikipedia)

Singer/Songwriters in the Summertime

This will be another brief post.  For a more detailed account of the night’s performances, check out Nash Roberts’s take on the evening.  Also, for the newbies, here’s our promo entrance page to sign up for an account with Amiestreet and receive free money to support our local artists.

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In June of 2009, the dotmatrix project hit another milestone.  It was our first opportunity to feature three performances in a single evening.  We were pleased to showcase three singer/songwriters all local to Greensboro, NC.

Randy Furches is a high-spirited, high energy person and performer.  He kicked off the evening with a short set that showed off his love for all varieties of music.  There was some Blues, some Folk, and a little bit of Hip-Hop.  He brought along with him two musicians to accompany him during his set.  Hank Johnson provided some extra flavor on guitar and on mandolin.  King-Kev-O helped Randy finish his set off, bringing his own lyricism to the stage on “Cryogenics.”

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer, Jerrod Smith
Mixing Engineers: Dan Bayer, Cesar Oviedo
Mastering Engineers: Cesar Oviedo
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon

Morgan McPherson is a talented young performer who I believe has a long and prosperous career ahead of her.  For this evening, she was accompanied by Ron May on bass and Strother Bullins on drums.  The magic these guys brought to the stage can also be found on Morgan’s EP, Destiny Save Me, which was recently recorded in Nashville.  It should be available soon.  You can check out her myspace for more information on that.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer, Jerrod Smith
Mixing Engineers: Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Doug Klesch

Kristen Leigh has done quite a bit of traveling as well, going as far as the West coast, to produce her music.  Fortunately, for us, she still calls Greensboro home.  When she’s not performing purely solo, Ueli Schweizer joins her on violin, as he did for us this evening.  Sara Dickson, Kristen’s friend and tutor on piano, also accompanied the talented songwriter during the performance.

photo by matty sheets

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer, Jerrod Smith
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Matty Sheets

Filthybird and Albina Savoy

I tried to make this post brief.  For a more detailed account of the night’s performances, check out Nash Roberts’s take on the evening.  Also, for the newbies, here’s our promo entrance page to sign up for an account with Amiestreet and receive free money to support our local artists.

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April 2009 marked the thirteenth show in the series and the one year anniversary of the dotmatrix project.  This show was truly special.  We had two exceptional performances that evening.  Each expressing it’s own unique sound.  Each featuring an incredibly talented female vocalist/pianist.

Filthybird

Photo by Mark Smith
Photo by Mark Smith

Renee Mendoza (with vocals and on keyboard) and Brian Haran (on electric guitar) got married a while back and their band took a little hiatus.  We were very proud to have gotten the chance to welcome them back to the stage in Greensboro, NC.  Shawn Smith (on drums) and Mike Duehring (on bass) fill out out the other half of Filthybird.

Filthybird has been described as “loud, yet subtle and distinctly joyful rock.”  They are, for all intents and purposes, a Psychedelic Folk Rock band.  Their music is simultaneously mental and emotional.  Their performance, I think, can best be described as “unfettered and electrifying.”


Photo by Mark Smith

Right now, you can check out their DMP set on AmieStreet.  Be on the lookout for more great music from these guys.  Get Filthybird!

photo by kevin belton
Photo by Kevin Belton

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineer: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

Albina Savoy

Photo by Mark Smith
Photo by Mark Smith

Albina Savoy is a three-piece collaboration with Crystal Bright (primarily on keys), Barry Cantrell (on guitar), and Jon McLean (on double bass).  The group also utilizes accordion, cello and the saw to create sweetly layered compositions.  They opened the April DMP show with their sweet, soothing and dramatic style.

As Nash Roberts eloquently describes, much of their set included songs demonstrating “not only attention to melody, but striking lyricism.”  A perfect example is Emeline, a song featuring Barry Cantrell on lead vocals.  It whispers at the soul of the philosopher left to reflect on love and loss and the human experience.


Photos by Mark Smith

Unfortunately, their performance that evening was one of the last opportunities to hear Albina Savoy live. The three-piece is no longer performing together.  However, as is the case with most musicians I know, that doesn’t mean Barry, Jon or Crystal won’t be making a splash elsewhere on the music scene.  Be on the lookout for future projects.  For now, you can enjoy some of their work together by checking out their live album on AmieStreet or Last.Fm.

photo by kevin belton
Photo by Kevin Belton

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineer: Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

Anything Can Happen In October

For those of you who aren’t altogether sports-literate, “anything can happen in October” is a phrase regularly used in the world of Major League Baseball as the playoff season approaches.  It’s used to remind fans that all of the teams making a run for the championship have a valid chance.  It’s used to build the excitement and anticipation for what promises to be an exhilarating spectacle.

Don’t worry.  This post isn’t about baseball, or sports at all, really. It’s about music.  More precisely, it’s about all the music there is to look forward to in the month of October.  Thanks to the folks at Monkeywhale Productions, it starts off with a bang.

    

Last night, I was fortunate enough to take part in the first night of the first ever Save the Monkeywhale Festival at Solaris.  The eager participants were treated to a very special performance by Josh Neas, of J’s Indie/Rock Mayhem, to kick off the live event.  The first band to grace the stage was Now You See Them, from Asheville.

After that great act, Eating the Invaders took the stage and kept the party going.  Finally, Holy Ghost Tent Revival closed out the evening with their always lively, raucous performance.  It was a fantastic night of music…and this was the first night!

The lineup for Friday night’s extravaganza at The Blind Tiger includes Sirius B., Citified, Filthybird, and The Never.

For Saturday night, again at the Blind Tiger to close out the Festival, there will be performances by House of Fools, Amelia’s Mechanics, Bruce Piephoff, Martha Bassett Band, Sam Frazier, Alcazar Hotel, Stephaniesid, Jim Avett, Katharine Whalen, and special guests.  You can still get tickets online at savethemonkeywhale.com, or you can pick them up at the door.

Next weekend, there’s an incredible gathering of musicians and music-lovers happening down in Chatham County, NC.  This is the kind of thing that only comes around twice a year!  On Thursday, October 8, Shakori Hills kicks off their fall Grassroots Festival of Music and Dance.  The list of bands is too vast to go into here.  I can tell you that you can expect to enjoy a wide variety of music at this festival, from zydeco and swing to roots rock and americana.  There’s a little something for everyone in the family at Shakori Hills.

The following weekend, there’s a festival going on in Franklinville, NC, called the Deep River Music Festival.  On Friday, Amelia’s Mechanics, Eating the Invaders, and Holy Ghost Tent Revival will be performing.  On Saturday, the lineup includes the Ralph Roddenbery Trio w/ Scott Mecredy, The Virginia Dare Devils, the Haw River Rounders, Milltown, and the Wyndy Trail Travelers.

Now, I know all of this might seem like a lot, but it’s actually only the tip of the iceberg.  There’s gonna be a lot of music going on in all the familiar venues in and around town.  There are really too many shows to try and list them all here.

For example, there’s the annual Greensboro Fest that’s going on October 15-18 and will include about two dozen different bands.  There’s bound to be a couple of great shows this month in one spot or another.  Check out the Flat Iron, or the Green Bean, or the Blind Tiger, or My Favorite Things Records some time to get an idea.

Remember, at the end of this month, we’ll be putting on the last DMP show of 2009.  Alcazar Hotel, Pinche Gringo, and us folk with the dotmatrix project look forward to entertaining you once again.  You don’t have to wait until then to go out and enjoy some quality music, though.

It’s Autumn!  It’s going to get cold soon!  I suggest we all take the opportunity to enjoy this time of year as much as possible!  As far as I’m concerned, some great music and some good friends is the way to go.

Hip Hop Is Not Dead

For the twelfth dotmatrix show, we happily welcomed Mr. Rozzi to the DMP stage.

Mr. Rozzi
Photograph by Kevin Belton

Blackbeard the Voyager, a truly hip poet, has been throwing it down for NC Hip Hop for a hot minute.  He’s got a presence and a style that’s difficult to duplicate.  His performance is always full of energy and always something special.


Photograph by Kevin Belton

For his DMP performance, Mr. Rozzi brought along an entourage.  They weren’t just there to pump up the crowd.  One person or another shared the stage with Rozzi for at least half of his set.


Photography by Kevin Belton

Vanessa Ferguson belted out background vocals before and after taking center stage to treat the audience to an a capella interlude.


Photo by Ioannis Batsios

Jeremy Johnson also offered up backing vocals as well as belting out one of his R&B jams during the set.

I know what you’re wondering.  With all these performers, who was the DJ for this whole  affair?  We had none other than L in Japanese holding it down all night long.


Photo by Ioannis Batsios

You like Hip Hop, right?  Well then, in the words of Jeremy Johnson, “Get the album.  Get the album.  Get the album!”  To pick up – or rather download – the album, you can check out Amiestreet and Last.fm.  For the newbies, here’s our promo entrance page to sign up for an account with Amiestreet and receive free money to support our local artists.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

Local Folk a la Piephoff


Photo by Mark Smith

After two wild months of hard-rocking and hell-raising tunes, the dotmatrix project got a little mellow for the month of February.  The audience buzzed with a cool anticipation as Bruce Piephoff and a small orchestra of musicians took the stage to kick off the eleventh DMP show.

it's in the music
Photo by Mark Smith

Bruce has been around a while and he’s got plenty of music to show for it.  He dipped into his collection and pulled out several great tunes for us here at DMP.  His set included a song referencing his time in Texas (Rosalita), one about a local basball hero (Big Foot In The Door), and a tune about a one-time Tate St. staple known as the Nightshade Cafe (Old Crow).  Check them out, along with the rest of Bruce’s live album, on Amiestreet or Last.FM.  For the newbies, here’s our promo entrance page to sign up for an account with Amiestreet and receive free money to support our local artists.

One more thing…

This is the first DMP album to be mastered thanks to the gentlemen at Studio 4.  Bruce likes it.  We like it.  I’m pretty sure you will, too.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Dan Bayer, Cesar Oviedo
Mastering Engineers: Cesar Oviedo
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon

The Scourge Of The South

What is this Rockabilly-thing? Is that the devil’s music?! Maybe. It’ll definitely make you scream, hoop, and holler like your soul’s on fire! If you don’t believe me, just listen to some of The Tremors. Self-described as one-third Greensboro, one-third Burlington and one-third Hell, Jimmy Tremor, Slim Perkins and Stretch Armstrong will make you believe.


Photo by Elizabeth Lemon

For the tenth installment of the dotmatrix project, we were fortunate enough to capture a sampling of the Hell-raising hits they make together. That was back at the end of January. Even though it was a bit cold outside, it was nice and hot next to the DMP stage that night!

tremors-20
Photo by Alex Maness

In case you don’t believe me (or somehow don’t remember), you can check out the pictures from that evening on the DMP photostream. Or you can check out the video on vimeo . Oh yeah, and you can listen to the live album on Amie Street.  To make the whole process a whole lot easier for you on Amie Street, here’s our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.  (It should be on Last.fm before long. You can check back here for the link when that happens.)

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon

Queen Anne’s Revenge and The Leeves: A Double Release

In December of 2008, we put on the ninth DMP show. That evening, two local punk bands set the DMP “stage” on fire! The evening started with The Leeves.

The Leeves + J. Marshall Owen
Photo by Stephen Charles

With a little help from their friends, they put on a fantastic performance! You can listen to (and buy) a copy of that performance at Amie Street, or Last.FM.*

The Leeves Live at the dotmatrix project

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Kevin Belton

After their fellow rockers finished warming it up, and Doug Pike got a chance to rest his limbs, Queen Anne’s Revenge claimed the stage to finish off a great evening of Punk for the dotmatrix project!

Doug Pike
Photo by Kevin Belton

Queen Anne's Revenge
Photo by Stephen Charles

You can get a copy of their live album on Amie Street or Last.FM, too.*

Queen Anne's Revenge Live at the dotmatrix project

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Eric Velarde

*To make the whole process a whole lot easier for you on Amie Street, here’s our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets . My advice…USE IT!

New DMP Artist: The Bronzed Chorus

the bronzed chorus live at the dotmatrix project

The wait is over, folks. DMP is proud to release the highly anticipated album The Bronzed Chorus Live at the dotmatrix project.

We thank Elizabeth Lemon for capturing the moment you see on the album cover. You can find more great pics from that evening on Flickr.

The Amie Street album is currently available for only $0.90 (now that’s a steal)! Hurry and grab this little treasure. That price can’t possibly last for too long. If you’re new to the whole process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Dan Bayer
Cover Design: Sean Coon
Cover Photograph: Elizabeth Lemon

New DMP Artist: Hammer No More The Fingers

hammer no more the fingers live at the dotmatrix project

It’s been an exciting couple of months for the dotmatrix project. We’ve had two fantastic shows, and one long-awaited album release. The excitement continues as DMP is proud to release Hammer No More The Fingers Live at the dotmatrix project.

We thank Jessi Hagood for the great photo. We felt it was perfect for the album cover. You can find more great pics from that evening on Flickr.

The Amie Street album is currently available for only $0.99 (less than a dime per song)! This price can’t possibly last for long. You know you want it! If you’re new to the whole process, be sure to use our promo entrance page to sign up for an account and receive free money to support our local artists by putting coin directly in their pockets.

ALBUM CREDITS
Recording Engineers: Don Ravon, Dan Bayer
Mixing Engineers: Don Ravon
Cover Design: Sean Coon
Cover Photograph: Jessi Hagood